Oni Baba is all about rhythm and movement. The nature of the images and sound give it a sense of developing threat. I find it very beautiful and musical and infinitely intriguing.

When we tried to get permission to screen Take it (I, II & III) on TV we were refused. Who knows why. The feeling is great when something this simple and powerful comes together. It’s like what Barabara Hepworth says about a piece of rock – that there’s a form inside the material that you have to reveal with your hacking and tapping. With scratch there’s a sense of chipping away and layering and moulding an existing form into something new.